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Star Wars 7: The Force Awakens Free Download

MOVIE INFO:
Thirty years after the defeat of the Galactic Empire, the galaxy faces a new threat from the evil Kylo Ren (Adam Driver) and the First Order. When a defector named Finn crash-lands on a desert planet, he meets Rey (Daisy Ridley), a tough scavenger whose droid contains a top-secret map. 
Director: J.J. Abrams
Writers: Lawrence Kasdan, J.J. Abrams,
Stars: Harrison Ford, Mark Hamill, Carrie Fisher
Release Date: 18 December 2015
Film series: Star Wars
Story by: George Lucas

Movie Summary:
The story begins thirty years after the events of Star Wars: Episode VI Return of the Jedi. The First Order has risen from the ashes of the Galactic Empire and is opposed by General Leia Organa and the Resistance, both of which seek to find the missing Jedi Master Luke Skywalker. In the midst of this search, new heroes rise in the form of Rey, a Force-sensitive scavenger from Jakku; Finn, a stormtrooper who defected from the First Order; and Poe Dameron, the best pilot in the Resistance. They are aided by Han Solo in their search for Skywalker and their mission to destroy the First Order's new superweapon, Starkiller Base, which targets the New Republic and the Resistance for destruction. They are opposed by villains such as Kylo Ren, a dark warrior with a mysterious past; and General Hux, the commander of Starkiller Base. 


Movie Review :
“Star Wars: Episode VII - The Force Awakens” is the film that J.J. Abrams was put on Earth to make, as evidenced by the "Star Wars" echoes in his hit series "Lost,” and the way he kept trying to turn "Star Trek" into "Star Wars." These tendencies could seem cutesy or irritating elsewhere, but they make sense in an according-to-Hoyle "Star Wars" movie. This new one, set 30 years after the events of "Return of the Jedi,” is funny, touching, and surprisingly light-footed. It boasts a lot of familiar elements, including Skywalker family mythology and another Death Star-type weapon, as well as self-aware lines about how things work in this series. The film ultimately runs up against the limitations of its own nature: like the James Bond films, the “Star Wars” movies are pretty much obligated to revisit certain elements, to the point where they might feel played out even if they hadn’t been raided by other films, TV shows and books (including Harry Potter). But it’s still an exhilarating ride, filled with archetypal characters with plausible psychologies, melodramatic confrontations fueled by soaring emotions, and performances that can be described as good, period, rather than "good, for 'Star Wars.'" 

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